A Few Items of Note

First off, I'm still reading the notable stories for the Million Writers Award. Look for the release of the top ten stories around the end of the month.

Second, I wanted to thank a few people for the nice things they've said about my writings. Over at Our Stories Literary Journal, Kate plugged my new collection Never Never Stories and said I write a "slammin' sci-fi story." Many, many thanks.

In addition, Christopher Kastensmidt listed some works he wants people to consider for different awards, including my story "The Never Never Wizard of Apalachicola." Chris says this is a "wonderful story that has been ignored for the awards" and recommends it for the World Fantasy in the short story category. Again, many thanks for the kind words.

Finally, I will be attending the Marcon Convention this weekend in Columbus, Ohio. While I won't be doing any panels, I will be wandering around in a daze as I ponder what to do with my time. So if you see me please say hello.

The Coming Superhero Movie Collapse

Back in January, Charlie Jane Anders noted on io9 that there were more "superhero films coming in 2011 than in the past few years put together." Since then, two comic-book based films – Green Hornet and Thor – have already decked audiences with a super-powered punch. Additional superhero films slated for this summer include X-Men: First Class, The Green Lantern and Captain America: The First Avenger, while on next year's horizon looms The Avengers and The Dark Knight Rises, along with the Amazing Spider-Man and Superman reboots. Add all these up and it's obvious Hollywood is betting its blockbuster future on the continued success of superhero films.

In that io9 article, Anders wondered if 2011 would be the year when "superheroes stretch out" and become more than the cliches Hollywood keeps throwing at us. If the early evidence from Green Hornet and Thor is any indication, the answer to this is a big "hell no!" But with so many superhero films coming out over the next year and a half, an even more important question is this:

Are audiences about to throw up their hands in disgust at too many mediocre superhero films?

I can already hear the laughs of derision rising from movie fans at my comment. After all, these superhero films are a perfect match for today's special effects driven blockbusters. When even The Green Hornet – which was panned by both critics and audiences – makes $228 million worldwide, how could I even suggest this trend might end?

Simple. The superhero film genre is a market-driven bubble, and all market bubbles eventually pop.

If your only exposure to superheroes is through Hollywood films, allow me to introduce  the collapse of the comic book market in the early 1990s, when two-thirds of all comic book stores closed. The collapse was caused by the greed of comic publishers and comic speculators, both of whom believed that millions of copies of "special first editions" and variant covers could be sold to an ever-growing audience. The problem is that while publishers flooded the market with cheap gimicks to enhance sales, they forgot that the main reason people read comic books is because of the compelling stories, art, and characters.

When you look at how the comic book market once collapsed, you can't help but see a similar storyline playing out with superhero movies. For example, here's one tale from a comic book seller who describes the 1990 comic book market collapse:

"The worm had turned, and comics fans were pissed off. Comics collectors were finally mad at Marvel for churning out garbage for the past few years. They were mad at Dark Horse for never making an issue #5; all of their movie comics were four-issue miniseries, the logic being that #1 issues sell better. They were mad at Image for producing comics based solely on their namesake – image."

Now obviously the market dynamics behind the comic book collapse and the current boom of superhero movies aren't exactly the same. However, the similarities are startling.

In that article, the anonymous "Noun" (who sold comics during the 1990s) describes how Marvel and other publishers used crossover events to boost sales – where stories from one comic crossed over into other titles, meaning you had to buy all those comics simply to follow the story.  Does that sound similar to what's going on with their current line of Marvel superhero movies as we build toward next year's much promoted Avengers film?

Other similarities include how "publishers abused the gimmicks." Think the same thing isn't happening today?  Can anyone say 3D films, or the rebooting of characters like Spider-Man who starred in a successful film series only a few years ago?

And the final similarity is Marvel Comics itself, the company which was one of the main culprits behind the collapse of the comic book market in the 1990s. Marvel was forced to declare bankruptcy in 1997 because it lost sight that the most important aspect of their "properties" was in the telling of stories which resonate with readers. 

A simple truth of any market-driven enterprise is that if you flood the market with crap then the market will collapse. That happened with comic books back during the 1990s and its happening today with superhero films.

Superhero films are a great art form when they focus on the compelling stories, characters and visuals which first attracted people to comic books in the first place. For evidence of this look no further than the last two Batman movies. But in the rush to exploit the demand for superhero films, Hollywood and companies like Marvel are flooding the market with too much mediocre crap.

Just as happened with comic books, the worm will eventually turn. And when it does, movie goers will turn away from the current boom market in superhero films.

Learn the Rules of Grammar and Spelling Before You Break Them

If you want to be an author, you must know the rules of grammar and spelling. If you don't you will quickly discover your writings being dismissed on what appear to be superficial grounds. "Of course I couldn't read his story – in the first paragraph alone there were three typos, a dangling modifier, and a damn comma splice."

Is this unfair? Perhaps. But people make snap judgments every day using far less worthy ideals than proper grammar and spelling.

But all that said, once a writer has learned to work within the rules of grammer and spelling, the writer will also know when to break the rules. Read the great authors and you will find them abusing and breaking all types of grammatical requirements. You can moan all you want about these authors breaking the rules but the moaning doesn't matter – the great writers will still be great and the rules will still be the rules, except when they are broken.

I have no point in all this except that if you are going to break the rules you'd better be good enough to get away with it. And to become good enough to break something, you first must understand it.

Million Writers Award Update

Things are still chugging along for the release of the top ten stories for the 2011 storysouth Million Writers Award. Two of the final judges has already turned in their selections while the other judge – who is the one holding up the whole effin process – is almost done.

Unfortunately, I'm the judge holding everything up. All I can say is that I'm trying my best to finish reading all 158 notable stories and I should be done by the end of this month, at which time the finalists will be posted.

As a reminder, the prizes for this year's award are:

  • First place: $600 plus the $100 gift certificate from ThinkGeek
  • Runner-up: $200
  • Honorable mention/third place: $100

Burn Baby Burn (The World's Shortest Vampire Romance)

I'd never given much thought to how different Edward and I were – though I'd had reason enough in the last few months of our whirlwind romance.  But now that we were finally on our honeymoon, the differences were becoming ever more evident.

I stared without breathing across the dark room as Edward stood in front of the closed drapes, which blocked the sun from our Acapulco hotel suite. On the wall beside Edward was a tall mirror, which didn't reflect his image. Still, I didn't need a mirror to tell me of the beauty I saw before me. Edward's pale, chiseled body heaved as he smiled at me, and his taut buttocks tensed slightly, running an erotic flash between my thighs.

Edward's gaze was mesmerizing. I felt like prey caught in the eyes of a powerful predator. A predator who could rip me apart if he chose – rip me to pieces and drink my ever so vital fluids.

"You know I'd never harm you," Edward said, reaching for my hand. He pulled me close and hugged me to his sweaty body. "Never forget," he added. "I may be a monster, but I love you."

"You're no monster," I said as I kissed him.

"Perhaps. But the leaders of the vampires won't be happy that we've married."

"Why should they care?"

Edward looked pained, as if I'd asked him to bare his soul for all the world to see. "There are things about my people we never show outsiders."

"Like what? Do you glow in the sunlight or something?"

I'd meant the comment only in jest, but Edward looked at me with his ages-old gaze and nodded. "You are close," he said. "It's supposedly the most intense feeling any vampire can experience."

"Better than sex?" I asked, wicked memories of last night flashing through my mind.

"Far better. Would you like to experience it with me?"

My body shivered in excitement as Edward again pulled me close and we kissed, a kiss which reached into the depths of my soul and caressed my very being. As we kissed, Edward reached out with his free hand and flung open the drapes, revealing the morning sunlight angling across the beach and the waves.

In the sunlight, Edward sparkled, light jumping around his body as our kiss grew even more passionate, our emotions crashing like the waves outside our hotel room. I felt like I was on fire.

Except I wasn't on fire – Edward was on fire!

He looked at me in panic as I stepped back. His skin smoked and his sexy hair flared. His wondrous taut buttocks charred black.

"Aw shit," he said. "They always told me we sparkled in the sunlight."

As he said this his body exploded in flames, knocking me against the window. When I stood up, ash rained across the hotel room.

I guess Acapulco wasn't a good choice for a vampire honeymoon.

Never Never Stories and Sublimation Angels Available on iBooks

Never-never-stories-cover-smallMy short story collection Never Never Stories and my Nebula-nominated novella Sublimation Angels are now available in the iTunes Store.

Both books were already available for the Kindle and Nook in the United States, United Kingdom, and Germany, but having them available for Apple devices adds many more countries to that list. In addition to the U.S., U.K., and German iBook Stores, the iBook edition of these books are now also available in Australia, Canada, and France.

For complete details, including links to the different ebook editions, go here.

New Mottos for Our Social Media Overlords

I've always liked Google's informal motto of Don't Be Evil. I mean, when you state upfront that you don't want to be evil, that's a great way to deflect complaints when you start acting like Darth Vader on a roid rage.

So in the interest of helping other social media companies come up with their own informal mottos, I offer the following suggestions:

  • Google: "Don't be evil unless there's clear profit in it."
  • Yahoo: "We coulda been a contender. We coulda been Google, instead of a bum."
  • Facebook: "Privacy? What effin privacy?"
  • MySpace: "The Facebook for people who can't even spell aesthetics."
  • LiveJournal: "For people who still think the word 'hip' is hip."
  • Renren: "Make a killing with your IPO by calling yourself China's Facebook!"
  • LinkedIn: "Why network when you can pretend to network?"
  • FourSquare: "When you absolutely, positively want to tell a robber where you are."
  • Twitter: "Twitter is over capacity."
  • YouTube: "Because every fool deserves 15 minutes of fame."
  • Skype: "We aim to prove that Microsoft will always jack up a good thing."
  • Digg: "Who knew stopping our users from acting like a mob would kill our business model?"
  • Yelp: "Because bitch-slapping businesses is fun!"
  • Wikipedia: "As accurate as Encyclopædia Britannica, unless an editor has a vendetta against a subject."

Why Do Genre Magazines Dominate the Million Writers Award?

Each year Tom Dooley, the editor of Eclectica Magazine, analyzes trends in the list of Million Writers Award notable stories. According to his analysis, there are 158 stories on the 2011 notable list, a drop from last year's 191. In addition, exactly 100 different online publications landed stories on the list.

Last year Tom pointed out that it appeared genre magazines – meaning everything from science fiction to fantasy, horror, crime, and romance – were dominating the Million Writers Award. This year this genre "dominance" continues. While self-identifying genre magazines now make up only 21% of the magazines on the NWA notable list, down from 25% in 2010, among the magazines with the most stories on the list the percent of genre stories increased to 51%.

This doesn't mean genre stories make up half the stories on the notable list – I think the number is closer to a third. But among the elite online publications with the most stories on the list, genre magazines appear to be the 800 pound gorillas in the virtual room.

Why are there so many genre magazines and stories on the Million Writers notable list? As I mentioned last year, I believe this results from genre writers and readers accepting online magazines as a legitimate place for both publishing and reading short fiction, which results in a large number of professional online genre magazines. But I'd love to hear what other people think about this.

Pasted below is Tom's analysis. And as always, a big thanks to Tom for crunching these numbers.

2010 Notable Stories Analysis    
This year Last Year
Total number of Notable Stories 158 191
Number of different publications w/ Notable Stories 100 108
Percent of publications self-identifying as "Genre" 21% 25%
Percent of stories from the top 10 publications belonging to self-identified "Genre" sites * 51% 48%
* Percent increases to 65% this year if two puplications tied for first, Blackbird and Words without Borders, are removed    
     
Authors this year with more than one notable story    
Name This year Last Year
Desmond Warzel 2 1
Matthew Dexter 2 1
Michael Loughrey 2 1
Rachel Ephraim 2 0
Rachel Swirsky 2 1
Roxane Gay 2 6
Sandra McDonald 2 0
Yoon Ha Lee 2 1
     
This year's top Notable Stories publications    
Publication Place Number
Blackbird 1st (tied) 6
Words without Borders   6
Clarkesworld Magazine 3rd (tied) 4
Daily Science Fiction   4
Lightspeed Magazine   4
Strange Horizons   4
Chiaroscuro (ChiZine) 7th (tied) 3
Eclectica Magazine   3
Fantasy Magazine   3
Jersey Devil Press   3
storySouth   3
The Barcelona Review   3
The Collagist   3
Thuglit   3
Tor.com   3
     
Top Notable Stories publications, last two years    
Publication Place Number
Blackbird 1st (tied) 10
Fantasy Magazine   10
Clarkesword Magazine 3rd (tied) 9
Strange Horizons   9
Thuglit 5th (tied) 7
Subterranean   7
Words Without Borders 7th (tied) 6
Eclectica Magazine   6
Beneath Ceaseless Skies   6
Kill Author   6
Collagist 11th (tied) 5
Tor.com   5
Apex Magazine   5
Storyglossia   5
Daily Science Fiction   4
Lightspeed Magazine   4
Barcelona Review   4
storySouth   4
Cerise Press   4
Cha: An Asian Literary Journal   4
Flurb   4
Identity Theory   4
PANK   4
Summerset Review   4
Knee-Jerk Magazine   4
Prick of the Spindle   4
Toasted Cheese   4
Word Riot   4
     
Top Notable Stories publications, all time (last eight years)    
Publication Place Number
Eclectica Magazine 1st 41
Strange Horizons 2nd (tied) 31
Pindeldyboz   31
Narrative Magazine 4th 26
Blackbird 5th 25
Word Riot 6th 23
Agni 7th 22
Clarkesword Magazine 8th (tied) 21
Storyglossia   21
Fantasy Magazine 10th (tied) 18
failbetter   18
Identity Theory 12th (tied) 15
King's English   15
Mississippi Review (New)   15
Thuglit 15th (tied) 14
Subterranean   14
Barcelona Review 17th (tied) 13
Summerset Review   13
ChiZine   13
Orson Scott Card's IMS   13
Fiction Warehouse   13
Percent of stories from the top 10 publications belonging to self-identified "Genre" sites *

Never Never Stories

Never-never-stories-cover-small Spaceships passing through the sky like endless clouds. A woman whose skin reveals the names of sailors fated to die at sea. A virus which causes people who touch each other to turn into crystalline trees. These are only a few of the stories in my new ebook collection Never Never Stories.

Ranging from science fiction to fantasy, the stories contained in Never Never Stories have won the Interzone Readers’ Poll, been nominated for the BSFA Award, longlisted for the British Fantasy Award, and printed in numerous magazines and book anthologies including Year's Best SF. The collection also contains new material including a never-before published story, a brand-new introduction, and an original essay on archeology and fantasy.

If you've ever wondered about SciFi Strange, those stories are here. If you've ever been frustrated because you couldn't track down my stories, be frustrated no more. If you ever wanted to download almost 100,000 words of fiction by a quirky SF writer from Alabama, it's your lucky day.

Stories included in this collection:

  • The Ships Like Clouds, Risen by Their Rain
  • When Thorns Are The Tips Of Trees
  • Where Away You Fall
  • Here We Are, Falling Through Shadows
  • Rumspringa
  • Freelanga
  • Peacemaker, Peacemaker, Little Bo Peep
  • Memoria
  • Millisent Ka Plays in Realtime
  • Into the Depths of Illuminated Seas
  • A Twenty-First Century Fairy Love Story
  • Maps of the Bible
  • The Dragon of Tin Pan Alley
  • The Never Never Wizard of Apalachicola

The price is $4.99. Here are the links to where you can purchase the ebook:

In the iBooks Store:

I'd like to thank everyone who gave me feedback on these stories over the years. I'd also like to thank Paul Drummond for designing this ebook for me. In addition to being a great SF artist – Paul designed the cover art for my Sublimation Angels – he is also a professional designer who can turn your stories into an amazing ebook at a very fair price. Learn more about his services at www.pauldrummond.co.uk/ebooks.

Books

 

Quick links

 

       

 

Never Never Stories (Print Edition)

"The most original speculative fiction that I’ve ever read." Catherine Russell, Functional Nerds

Jason's stories "reward reading, and presage what could be an excellent career."
Rich Horton, Locus, Oct. 2011

"If you're new to (Sanford's stories) then this is a very highly recommended collection indeed."
Jim Steel, Interzone 236, Sept./Oct. 2011

Spaceships passing through the sky like endless clouds. A woman whose skin reveals the names of sailors fated to die at sea. A virus which causes people who touch each other to turn into crystalline trees. These are only a few of the stories in my collection, Never Never Stories.

Ranging from science fiction to fantasy, the 10 stories contained in the print edition of Never Never Stories have won the Interzone Readers’ Poll, been nominated for the BSFA Award, longlisted for the British Fantasy Award, and printed in numerous magazines and book anthologies including Year's Best SF. The collection also contains an original essay on archeology and fantasy and a cover by award-winning artist Vincent Chong.

Stories included in this collection:

  • The Ships Like Clouds, Risen by Their Rain
  • When Thorns Are The Tips Of Trees
  • Here We Are, Falling Through Shadows
  • Rumspringa
  • Peacemaker, Peacemaker, Little Bo Peep
  • Memoria
  • Millisent Ka Plays in Realtime
  • Into the Depths of Illuminated Seas
  • A Twenty-First Century Fairy Love Story
  • The Never Never Wizard of Apalachicola

Reviews

“The most original speculative fiction that I’ve ever read.” — Catherine Russell, Functional Nerds

 

NeverNeverStoriesCover

Spotlight Publishing
Trade Paperback (8.5"x5.5")
240 pgs
ISBN 978-0-9768469-1-8

The price is $15.95

Note: The small press publisher of this print edition went out of business. Used copies, though, are still available online.

Purchase from Amazon.com

Purchase from Barnes and Noble

Never Never Stories (Ebook Edition)

The ebook edition of Never Never Stories contains all of the content from the print edition along with four additional stories (one of which has never been published) plus a different introduction.

Stories included in this ebook collection:

  • The Ships Like Clouds, Risen by Their Rain
  • When Thorns Are The Tips Of Trees
  • Where Away You Fall (not available in print edition)
  • Here We Are, Falling Through Shadows
  • Rumspringa
  • Freelanga  (not available in print edition)
  • Peacemaker, Peacemaker, Little Bo Peep
  • Memoria
  • Millisent Ka Plays in Realtime
  • Into the Depths of Illuminated Seas
  • A Twenty-First Century Fairy Love Story
  • Maps of the Bible (not available in print edition)
  • The Dragon of Tin Pan Alley  (not available in print edition)
  • The Never Never Wizard of Apalachicola

Reviews

"Sanford (and some other writers) are producing SF that truly has a different feel than much that has gone before." — Rich Horton, Locus, February 2011

"Few SF/fantasy writers generate a buzz through short fiction alone, but Jason Sanford is an exception. Over the past few years, he's created a growing fan base through his brand of modern speculative fiction, something he called 'SF Strange.'" — Jeff VanderMeer on Amazon's Omnivoracious blog

 

 

Never-never-stories-cover-small

The price is $4.99

Purchase for the Amazon Kindle (U.S.A. site)

U.K. site

German site

Italian site

French site

Spanish site

 

Purchase for the Barnes and Noble Nook

In the iBooks Store:

United States
Australia
Canada
France
Germany
United Kingdom

Sublimation Angels

Originally published in the British magazine Interzone, my novella Sublimation Angels was a finalist for the Nebula Award, won the Interzone Readers' Poll for best story, and was longlisted for the British Fantasy Award.

The ebook edition contains the complete text of Sublimation Angels along with a short essay on why I wrote the novella.

Reviews

A Tangent Online 2009 recommended story

Five stars. "A captivating story about freedom, rebellion, and seeking the truth." SF Signal

"One of the best novellas of the year." Suite101

"Sanford shows again just what a talent he is." SF Revu

"Superb ... a satisfying and wonderfully rounded story." SF Crowsnest

"SF of the purest quality." Tangent

 

 

Sublimation_angels_web

The price is $2.99

Purchase for the Amazon Kindle (U.S.A. site)

U.K. site

German site

Italian site

French site

Spanish site

 

Purchase for the Barnes and Noble Nook

In the iBooks store:

United States
Australia
Canada
France
Germany
United Kingdom
United States

Her Scientifiction, Far Future, Medieval Fantasy

Princess Krisja Jerome lives in a futuristic playground universe of stone castles and dragons, where gallant knights fight for honor and glory using lasers and unbreakable synthetic swords. But when invaders destroy Krisja's carefully managed life, she sets out on a quest with a King Arthur duplicate to discover the truth of their world. Along the way she learns it’s not enough to merely experience great deeds – to be a true hero you must risk everything you love and hold dear.

Originally published in the British SF magazine Interzone.

Reviews

"You can always count on Jason Sanford for something imaginative and ‘Her Scientifiction, Far Future, Medieval Fantasy’ certainly more than achieves that goal. Another stunning piece by a talented writer." — Sam Tomaino, SF Revu

"A whirlwind of a story that bashes together every trope of speculative fiction into a big chaotic adventure and it is tremendous fun to go along for the ride." — Tomas Martin, Stephen's Hunt SF Crowsnest

 

 

 

Her_sf_cover

The price is 99 cents

Purchase for the Amazon Kindle (U.S.A. site)

U.K. site

German site

Italian site

French site

Spanish site

 

Purchase for the Barnes and Noble Nook

In the iBooks store:

Coming soon!

Million Writers Award: The Best New Online Voices

For nearly a decade the Million Writers Award has honored the best fiction published in online magazines and journals. Now collected for the first time are the most exciting literary voices recognized by this award. Read these groundbreaking short stories and you’ll understand why online magazines and journals are the place to find today’s most vital and challenging stories.

Table of Contents

  • Friday Afternoons on Bus Number 51 - by Sruthi Thekkiam
  • The Incorrupt Body of Carlo Busso - by Eric Maroney
  • The Mountain’s Laughter is a Landslide in the Seed Moon’s Light - by J. M. Scoville
  • Hospitality - by Summer Block
  • I Am My Rooster - by Taylur Thu Hien Ngo
  • Do You Have a Place For Me - by Roxane Gay
  • Cancer Party - by Nicola Mason
  • Interview With A Moron - by Elizabeth Stuckey-French
  • Grief Mongers - by Sefi Atta
  • Alex Trebek Never Eats Fried Chicken - by Matt Bell
  • The Infinite Monkey Theorem - by Marshall Moore
  • Sandwiches From Home - by Jessica Schneider
  • The Black Tongue - by Anjana Basu
  • The Rules of Urban Living - by Kara Janeczko
  • Madame Sabat’s Grave - by Corey Mesler
  • The Boy With the Hole In His Head - by Gokul Rajaram
  • Vertically Divided, Blue-White-Red - by Mark MacNamara
  • Ditch - by Eric Beetner
  • You Are a 14-Year-Old Arab Chick Who Just Moved to Texas - by Randa Jarrar

 

 

 

MWA Best Online Voices

Spotlight Publishing
Trade Paperback (8.5"x5.5") or ebook edition
222 pgs
ISBN 978-0-9768469-9-4

The price is $15.95

Note: The small press publisher of this print edition went out of business. Used copies, though, are still available online.

Purchase print or Kindle edition from Amazon

Purchase print or Nook edition from B&N

 

Million Writers Award: The Best Online Science Fiction and Fantasy

For nearly a decade the Million Writers Award has honored the best fiction published in online magazines and journals. Now collected for the first time are the most exciting science fiction and fantasy voices recognized by this award. Read these groundbreaking short stories and you’ll understand why online magazines and journals are the place to find today’s most vital and challenging stories.

Table of Contents

  • Non-Zero Probabilities - by N. K. Jemisin
  • The Faithful Soldier, Prompted - by Saladin Ahmed
  • Arvies - by Adam-Troy Castro
  • There’s a Hole in the City - by Richard Bowes
  • Horus Ascending - by Aliette de Bodard
  • Blue Ink - by Yoon Ha Lee
  • Eros, Philia, Agape - by Rachel Swirsky
  • A Song to Greet the Sun - by Alaya Dawn Johnson
  • Time to Say Goodnight - by Caroline M. Yoachim
  • The Fisherman’s Wife - by Jenny Williams
  • Intertropical Convergence Zone - by Nadia Bulkin
  • Urchins, While Swimming - by Catherynne M. Valente
  • The Shangri-La Affair - by Lavie Tidhar
  • Elegy for a Young Elk - by Hannu Rajaniemi

Reviews

Publisher's Weekly Starred Review: "Sanford, editor of the online literary journal storySouth, assembles a remarkable collection of science fiction and fantasy works, all originally published online and heralded in storySouth’s annual Million Writers Award contest (some are winners, others finalists and notables). Many of these stories have earned other awards and nominations, and they prove that online journals and magazines deserve readers’ respect and attention."

Jamie Todd Rubin, Orson Scott Card's InterGalactic Medicine Show: "We are living in a golden age of short science fiction and fantasy. Having read and written a great deal about classical Golden Age science fiction, having done a pretty good job keeping up with most of the short fiction markets today, I feel I can make this statement with some authority. If further evidence is required, however, I point to Jason Sanford's recent anthology,Million Writers Award: The Best Online Science Fiction and Fantasy."

 

 

 

 

MWA Best SF/F

Spotlight Publishing
Trade Paperback (8.5"x5.5") or ebook edition
222 pgs
ISBN 978-0-9768469-8-7

The price is $15.95

Note: The small press publisher of this print edition went out of business. Used copies, though, are still available online.

Purchase print or Kindle edition from Amazon

Purchase print or Nook edition from B&N

 

Cover for Interzone 234

Interzone234 Interzone has released the cover for their May/June 2011 issue, which contains my novelette "Her Scientifiction, Far Future, Medieval Fantasy." When I showed the cover to my kids, they immediate said "It's the Laputa robot from Castle in the Sky!" Which is no doubt exactly the reaction the artist intended.

Interzone 234 will be published next week. If you don't already subscribe, it's not too late to do so. Simply surf over to the TTA Press shop to ensure you don't miss an issue of the world's best SF/F magazine.

Update: Someone pointed out that the ship in the background is from Thunderbirds. I'm suspecting the artist created a homage to childhood SF with the cover. It'll be interesting to see what other items people discover in the illustration.

Why the Stories We Initially Tell Are Never Accurate

So Osama bin Laden is dead, killed with a shot to the head by U.S. Navy Seals. As should be expected with any big story, in the days since his death announcement the details have changed. Initially the government said bin Laden resisted the Seals and was killed. Then came reports that bin Laden died firing a weapon, and that he'd used his wife as a human shield.

Except those last reports are not true. While it still appears he resisted or made threatening moves, he held no weapon. And his wife, instead of being a human shield, evidently ran at the Navy Seals, who shot her in the leg. And that is merely the current story. I fully expect the story to keep adapting as new and more accurate details are released.

However, some people are angry that the details of bin Laden's killing have changed. Glenn Greenwald is outraged that the original narrative of bin Laden's killing – which framed him as "cowardly" and "violent-to-the-end" – will be the narrative people remember, even if it's not true. He compares this to previous stories which were later proven wrong, such as "Jessica Lynch's heroic firefight against Iraqi captors to Pat Tillman's death at the hands of Evil Al Qaeda fighters" and blames this on the media simply accepting "false Government claims." The argument Greenwald makes is seductive; even Andrew Sullivan asks "Why Exaggerate?" in response to Greenwald's post.

However, instead of assuming nefarious motives at work I wish Greenwald and others would simply apply occam's razor and try to see that, when dealing with the release of information around a big story, almost all initial reports are inaccurate. While this can at times result from outright lies and distortion, in most cases the root cause is the imprecise nature of human communications.

Two factors are at work here. First, humans must communicate a vast amount of words in order for specific information to reach another person (for the specifics on this, read the great book The Information by James Gleick). In addition, it doesn't matter if you want to tell someone a basic fact such as "The sky is blue" – the simple truth is those four words are not all you are communicating. Instead, you are also communicating your tone, your inflection, your body language, your power or lack thereof, and many other variables. Secondarily, the person receiving your words doesn't only have to comprehend all of this but also must process the overall message through their own personal filter of how they see the world, which includes everything from their own biases, beliefs, attitudes, and social standing to their relationship and trust with the speaker.

Considering all that, it's a wonder people can communicate with each other at all. This is also one reason why people immediately remember only half of what they are told. It's not that people are pigheaded about actually listening to others – although that can also happen. Instead, it's because people are trying to comprehend much more than simply a few basic words.

This lack of precision then slams against the human need to share stories. Whether you call it gossip or chitchat or conversation, humans have a primal need to continually share information about all aspects of our lives. And when something big and out of the ordinary happens, it's all we can do not to run screaming to the next person we see and tell everything we know.

This primal need to share stories also applies to people in group settings, such as the government. Once bin Laden was killed and the people who knew what happened were cleared to speak, they opened a logorrheic floodgate. Nevermind that many of the details they passed on were wrong – the people passing this information throught what they had to share was correct. At times like this group communications behave like a vast game of telephone, where whispers are passed from person to person until the meaning of the words change beyond all comprehension. Unfortunately, this is often how official information on big stories spreads into our society. There is not one major news event from the last century –  be it Kennedy's assassination, the 9/11 attacks, Hurricane Katrina, and so on – where the initial information released by U.S. government officials was totally accurate.

This doesn't mean these officials were neccesarily lying. Could they have biases in promoting certain information? Certainly. Could they have been eager to release certain information because it confirmed their worldview? That's true of all humans. But the simple truth is initial communications around earth-shaking events are almost always not the final story.

What's funny is that the people who are uncomfortable with the changing storyline around bin Laden's death are also the very people who want more openness from our government. But openness is a double-edged sword and means that when big news events occur information will often be released which is ultimately proven inaccurate. Since the alternative is to wait hours or days until all information is properly vetted and verified, I don't see this changing anytime soon.

Perhaps one day our society will develop to the point where we have accurate information at our fingertips before any of us engages in our global games of gossip and telephone. But I'm not holding my breath.

http://xite.cc/browse.php?u=Oi8vd3d3LnNhbG9uLmNvbS9uZXdzL29waW5pb24vZ2xlbm5fZ3JlZW53YWxkLzIwMTEvMDUvMDMvcHJvcGFnYW5kYV9iaW5fbGFkZW4%2FdXRtX3NvdXJjZT1mZWVkYnVybmVyJnV0bV9tZWRpdW09ZmVlZCZ1dG1fY2FtcGFpZ249RmVlZCUyNTNBK3NhbG9uJTI1MkZncmVlbndhbGQrJTI1MjhHbGVubitHcmVlbndhbGQlMjUyOQ%3D%3D&b=5

Other Stories Worth Noting

Every year the judges for the storySouth Million Writers Award pull together their list of notable online stories.  And unfortunately, ever year there are a few stories the judges pick which must be bounced from that list. These are stories the judges liked but which, due to not meeting the award's eligibility requirements, couldn't be considered.

This year our judges picked three stories which were not eligible for the award – two of them were originally published in print magazines or their associated websites, while the remain story was published this year. Since the judges liked the stories enough to pick them, I wanted to bring them to everyone's attention. They are:

My Sequel to "Plague Birds" Accepted by Interzone

My sequel to "Plague Birds" has been accepted by Interzone and will be published in the next few months. The story, titled "The Ever-Dreaming Verdict of Plagues," follows Cristina de Ane as she settles into life as a plague bird, a person containing a powerful AI which is both police officer, judge and executioner to the human/animal hybrids who inhabit her future world.

You can read the original story as a PDF download by clicking here. "Plague Birds was first published in issue 228 (May/June 2010) of Interzone and has been reprinted in the Czech SF magazine XB-1 and podcast on Dunesteef Audio Fiction Magazine.

I should also mention that my story "Her Scientifiction, Far Future, Medieval Fantasy" will be published in the next issue of Interzone (issue 234, May/June 2011). So if you haven't already subscribed to what is easily the best SF magazine in the world – hey, I'd love them even if they didn't publish so many of my stories – you should do so right now!

The Abattoir of Mediocrity

I don't write or read much horror unless I fall into it sideways while sloshing around in my usual science fiction or fantasy. However, I love the British horror magazine Black Static. The magazine's editors and writers are always slicing their readers into bloody excellence, and the opinion pieces they publish are great beyond measure.

Case in point: Christopher Fowler's essay in Black Static 22 on "Why Mediocrity Rules." As Fowler states, he now actually hates the mainsteam. "Not because of who watches it – people will watch anything put in front of them – or who writes it – writers develop good ideas for years only to have them eviscerated or turned down outright because of passing fashions – but because of who decides what we watch and read."

As Fowler says, there are creativity killers in every profession, people who slink from position to position leaving "trails of destruction in their wakes, like snails." And while Fowler doesn't go into how the new media landscape of YouTube and Twitter and self-published ebooks are changing these trails of destruction, I haven't yet seen a ton of excellence rising to the top. Instead, when the "The Bed Intruder Song" receives 50 million views I'd say mediocrity has found new ways to thrive.

This doesn't mean every artist who whines about their lot in life deserves to be showered with praise. Fowler quotes John Cleese in his Monty Python architect sketch, when he delivers a slaughterhouse instead of a block of apartments and the clients complain. As Cleese says, "That’s the kind of blinkered philistine pig-ignorance I expect from you non-creative garbage." Not that Cleese should be allowed to build an abattoir to slaughter apartment dwellers. But the architect who eventually wins is in his own way worse than Cleese's character, and is praised for creating an absolute monstrosity.

I wish I could link to Fowler's essay; instead, I'll simply say you should subscribe to Black Static and that Fowler touches on some of these points in this recent blog post.

Experimental Science Fiction

Jeff VanderMeer is curious about what "experimental" means with regards to science fiction and fantasy. It's a great discussion and I urge people to check it out.

Jeff specifically mentions Samuel Delany's great novel Dhalgren, which to many people is the living archetype of experimental science fiction. The high praise one hears for Delany's novel – or condemnation, depending on if a person actually enjoys reading experimental fiction – is justified.

However, I've always found the term "experimental fiction" to also be a little puzzling. The term is usually used by people to describe fiction with an explicitly experimental narrative – think James Joyce's Ulysses and all the novels which have mimicked it's stream of consciousness style over the years. However, to apply the term experimental to science fiction should mean so much more than simply how a novel is written. Since science fiction pushes the bounds of human experience, experimental SF should not only push the bounds of narrative style but do the same with the novel's subject matter, characters, themes, vision, and so on.

To my mind, the SF novel which does all of this is Gene Wolfe's Book of the New Sun. The four parts of the novel, and its related coda, experiment with all elements of what we think a novel can be. In addition, it creates a vision of the future which hasn't aged a bit in the three decades since it was written. The Book of the New Sun is experimental science fiction at its best.

Genre Walking

Are you a science fiction or fantasy fan who enjoys walking or jogging? Want to motivate both yourself and your genre friends to exercise more? Then join in with the newest exercise trend, genre walking!

First, the history: Shaun Duke tweeted last week about all the walking he's doing, at which point I tweeted my own jogging and walking comments and how science fiction and fantasy fans should help motive each other in our exercises. Fabio Fernandes chimed in strong agreement, Shaun said he'd design a website to keep track of everyone's progress, and that's how genre walking was born.

It's easy to genre walk. Every time you walk or jog, tweet your distance with the hashtag #genrewalking. If you see tweets from other SF/F fans who are genre walking, encourage them. You can also enter your distances using the handy genre walking form. To keep track of everyone's progress, click here.

This is not about shaming people. This is not about competition. This is about genre fun and staying healthy. I look forward to seeing everyone on the road to genre fitness!

My Thoughts on Influential Non-Genre Books

I recently took part in SFSignal's new Mind Meld on "Influential Non-Genre Books." While I mentioned a number of great works which aren't in the science fiction or fantasy genres, three specific non-genre books heavily influenced my writing. They are:

  • Blood Meridian by Cormac McCarthy
  • Mama Day by Gloria Naylor
  • No Nature: New and Selected Poems by Gary Snyder

To learn the specifics on how these books influenced me, check out the Mind Meld, which also contains great responses from authors like C.J. Cherryh, Elizabeth Bear, Damien G. Walter, Carolyn Crane, and many more.

The Million Writers Award Notable Stories of 2010

Here's the list of notable stories for the 2011 storysouth Million Writers Award. Thanks to the preliminary judges who picked the stories and to the editors and readers who brought their own favorite stories to the judges' attention.

The top ten stories, which will be selected from this list by me and two other judges, are scheduled for release on May 20th. And if anyone notices any mistakes in the notable story list, please let me know.

As a reminder, the prizes for this year's award are:

  • First place: $600 plus the $100 gift certificate from ThinkGeek
  • Runner-up: $200
  • Honorable mention/third place: $100

Million Writers Award Notable Stories to Be Released April 17

I apologize for the delay in releasing the notable stories for the 2011 storysouth Million Writers Award. While my eye has healed nicely since my surgery for the detached retina, I'm still digging my way out of a work and deadline backlog.

The good news is that the notable stories will be released on Sunday, April 17 and that date is firm. So look for the stories then. The top ten stories will then be released in the middle of May.

As a reminder, the prizes for this year's award are:

  • First place: $600 plus the $100 gift certificate from ThinkGeek
  • Runner-up: $200
  • Honorable mention/third place: $100