Finalist for the Last Drink Bird Head Award

So here's the deal: I'm a finalist for the Last Drink Bird Head Award for the "gentle advocacy" I do on this blog. Gentle advocacy, as the award states, actually means "In recognition of individuals willing to enter into blunt discourse about controversial issues…"

Ironically, I was named a finalist right before my most recent blog post "Robert E. Howard was a racist. Deal with it." So perhaps I am unclear on all this. What's so blunt and controversial about that topic? :-)

The other finalists in my category are

Personally, I consider myself the least worthy of all those bloggers and commentators. If you want to check out some excellent commentary go read their sites.

This is a great award Ann and Jeff VanderMeer give out "to celebrate those in the genre community who enrich us with their time, energy, and words, for causes greater than themselves." Thanks to both of them for this honor, and I urge people to check out all of the finalists for the award.

For my French readers, Ténèbres 2010

T2010couv For any of my French readers, my story "Here We Are, Falling Through Shadows" has been translated and printed in the Ténèbres 2010 anthology. I received my contributor copies the other day and the anthology looks like a great one, with stories by William Peter Blatty (author of The Exorcist, hence the cover), Eugie Foster (with her Nebula Award winning story "Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast"), Orson Scott Card, and others.

While I'm really not a horror writer, for this anthology they also wanted science fiction stories which bordered on horror, so there I am.

As for the title of my story, it was shortened in translation to  "Les Faucheurs." Google translator tells me that means "The Reapers," which sounds about right.

Interzone to publish special Jason Sanford issue

This morning the British science fiction and fantasy magazine Interzone accepted my short story "Memoria" and my novelette "Peacemaker, Peacemaker, Little Bo Peep." Obviously this is the type of exciting news every writer loves waking up to.  But it turns out Interzone editor Andy Cox had even bigger news to share: Interzone will publish these stories in a special issue focused on my fiction!

My mind is blown away by this. See the hole emerging through my skull. See brain matter exploding outward. Wow!

According to Andy, this "Jason Sanford special issue" will be in Interzone 231 (November/December 2010). The issue will include the two stories mentioned above along with my already accepted story "Millisent Ka Plays in Realtime" and an interview with me conducted by Andrew Hedgecock.

I want to thank Andy Cox and all the Interzone editors for this honor and for publishing so many of my stories. Interzone took an early chance with my fiction and has given my writings more exposure than I ever could have imagined. They are also one of the best SF/F magazines in the world. Even if they'd never published a single one of my stories, I'd still eagerly await each issue because Interzone is the primary source for today's cutting edge short fiction. If you want to read mind-expanding stories which push the bounds of science fiction and fantasy, you must read Interzone.

To receive this special issue, be sure to subscribe to Interzone. And again, many thanks to Andy Cox and all the Interzone editors and readers for the amazing support they've given my fiction.

Andrew Hedgecock

My story "The Ships Like Clouds..." goes head to head with James Blish's "One Shot"

On StarShipSofa's new podcast, my short story "The Ships Like Clouds, Risen by Their Rain" goes head to head against James Blish's classic tale "One Shot." You can download the podcast or listen through their website. You can also vote for your favorite story.

Thanks to Tony C. Smith for putting together this amazing podcast and for interviewing me, and to Lizanne Herd for narrating my story. In the podcast Tony also plugs the upcoming StarShipSofa Stories, Volume 2, which includes one of my stories alongside those by such amazing writers as Neil Gaiman, China Miéville, and Jeff VanderMeer. This book will be on sale October 10. Check out the StarShipSofa website in the coming days for more details.

Finally, StarShipSofa is up for a Best Fanzine Hugo Award this weekend at Aussiecon. My fingers are crossed that the Sofa pulls off well-deserved win.

Interview with me, the "Lord of SciFi Strange"

On episode 14 of the Skiffy and Fanty Show I am named the "Lord of SciFi Strange." Wow! I've always wanted to be a Lord.

Seriously, this is a great podcast and I appreciate Shaun Duke and Jen Zink for interviewing me. As always, I babble on in a Southern dialect on various subjects including short story markets, why the glory years of genre short fiction are looming, why many literary magazines are in such trouble, Southern Literature, SciFi Strange and more.

If that sounds like something you're into, please listen to their podcast.

My Context 23 schedule

Next week I'll be a participating author at the Context 23 convention in Columbus. As I've said before, Context is a small literary con which is always well worth attending.

If you want to catch me at the convention, here's my panel schedule:

Friday, Aug. 27, 10 pm
"BFA: The Good, Bad, and Ugly?" with myself and Janet Harriett.

Saturday, Aug. 28, 10 am
"Blogging – Creativity and Publicity" with myself, Maurice Broaddus, Janet Harriett, Joseph Martino, Michelle Pendergrass, and others.

Saturday, 2:30 pm
"Is a SF Renaissance Around The Corner?" I'm moderating this panel and the current line-up includes Tobias Buckell, Timons Esaias, Maura Heaphy, Paul Melko, and Paul Stevens. This will be a great discussion, so don't miss it.

Saturday, 4:00 pm
"Southern Horror"with myself, Michael Knost, Michelle Pendergrass, and others.

Saturday, 7:00 pm
"Awards, Nominations, And Publicity, Oh My! Make It Work For You" with myself, Michael Knost, Michael West, and others.

Apologies for not having all the names for these panels, but I don't have access to the final line-ups.

During the con I'll be giving away extra copies of Interzone 228, which contains my story "Plague Birds." If you'd like a copy, simply ask for one. I'll even be happy to sign it.

For students: A few words on genre and literary fiction

A while back I received an interview request from a high school student.  Based on the questions this student asked, it was obvious he'd run up against a teacher who believed that literary fiction was "good" and genre fiction "bad."

Since I encountered this same attitude from some of my teachers in high school and college, I thought I'd share my responses to the interview. Maybe this will help other students understand that great fiction can exist in both the genre and literary fields.
 

1. Do you think it is possible for a work of fiction to be literary and genre at the same time?

Absolutely. There are many works of genre fiction which exist on an equal plane with the best literary fiction. Examples include Gene Wolfe's Book of the New Sun and the writings of great genre authors like Samuel R. Delany and Ursula K. Le Guin. You will also find that some of the most famous works of literary authors like Toni Morrison, Cormac McCarthy, and Michael Chabon are actually genre works, with Morrison's Beloved being a ghost story, McCarthy's Blood Meridian a western/horror story, and many of Chabon's works resting fully in the fantasy and SF fields.

2. Why do you think there is a line between literary and genre, and what can writers and readers do to overcome it?

The line between literary and genre fiction results from the shared history of these types of fiction. By its nature, literary fiction attempts to hold itself up as the serious fictional genre while genre fiction is supposed to be mere escapist reading. But where there may have once been a bit of truth to these distinctions, that difference fell apart decades ago. The best genre fiction is the equal of the best literary fiction and vice versa. You'll find great stories in all areas of fiction. Likewise, you will also find horrible writing in all areas of fiction. As the science fiction writer Theodore Sturgeon once said, "Ninety percent of everything is crud." That applies equally to literary fiction as to genre writings. But that other 10 percent--that's the fiction worth reading, regardless of genre. And if writers and readers look for that 10%, we'll all be happier.

3. To you, what qualifies a work of fiction as literary, genre, or both/neither?

These days, that qualification depends on how a publisher wishes to market a book. There are many readers who will read one type of novel and not another (even though, as I mentioned above, there is a ton of overlap between genre and literary fiction). So if a publisher believes they can sell a book as a genre novel, they do so. Likewise with literary fiction.

4. What do you like about literary fiction, and what do you like about genre fiction?

It would be better to ask what do I like about fiction. I demand that my fiction be well written and take me to places I've never been and introduce me to people I care about. More importantly, I want my fiction to teach me something new. To open my eyes to new possibilities. What I don't want is to read fiction which merely reinforces what I already know or is a reworking of what I've already read.

5. What do you like about writing literary fiction, and what do you like about writing genre fiction?

While I've published fiction which could be considered both literary and genre, my goal has always been the same: To create the best possible story. I believe well-written stories take on a life of their own. That's what I aim for with every story I write.

Review of I Am Number Four by Pittacus Lore (pseudonym of James Frey and Jobie Hughes)

SF Signal has published my review of the young adult novel I Am Number Four by Pittacus Lore, which is a pseudonym for James Frey and Jobie Hughes. When I received this book for review consideration I wasn't sure I'd like it--after all, I've ranted before about literary writers dipping their toes in the genre pool. Add in the total circus which swirls around Frey's writing career and it is fair to state I wasn't expecting much.

But to my surprise, this is a fun, fast paced novel with the potential to bring new readers to the science fiction genre. While the novel is absolutely not original or deep, if you know a young adult who loves fantasy novels but refuses to touch science fiction, this might be a good book to tempt them with.

Read the full review on SF Signal.

Story accepted by Orson Scott Card's Intergalactic Medicine Show

I found out today that my short story "The Never Never Wizard of Apalachicola" has been accepted by Orson Scott Card's Intergalactic Medicine Show. The story is a merging of science fiction and fantasy set in Apalachicola, Florida. Many thanks to IGMS editor Edmund R. Schubert for the acceptance.

This will be my second appearance in IGMS. They published my first professional SF magazine sale, "Rumspringa," in their July 2007 issue.

My review of Dark Faith, edited by Maurice Broaddus and Jerry Gordon

My review of the Dark Faith anthology, edited by Maurice Broaddus and Jerry Gordon, is now up at SF Signal.

While people can read the review for the specifics, overall this is an excellent collection with several stories which rank among the year's best, including "Ghosts of New York" by Jennifer Pelland, "Zen and the Art of Gordon Dratch's Damnation" by Douglas F. Warrick, and especially Gary A. Braunbeck's "For My Next Trick I'll Need A Volunteer."

Context 23 in Columbus, August 27-29

As an FYI, I'll be a participating author at the Context 23 convention in Columbus from August 27-29. This is a small literary con which Mike Resnick once called "the Readercon of the Midwest." This year's guest of honor is Tobias Buckell, while the horror guest of honor is Elizabeth Massie.

I highly recommend this con to all speculative fiction writers. One of the panels I'll be on deals with the future of science fiction--I'll let people know more about this when the panel schedule is firmed up. Context also hosts an excellent selection of writing workshops. These workshops fill up quickly, so register early.

Reprint of "Here We Are, Falling Through Shadows" in Apex Magazine

ApexMagJuly2010I haven't been blogging lately due to the novel I'm working on, but I wanted to let people know my short story "Here We Are, Falling Through Shadows" has been reprinted in the July 2010 issue of Apex Magazine.

Apex is a great magazine which successfully made the transition from print to online just over a year ago. Their editions are available on their website and in various ebook editions, including for the Kindle. This is the second reprint of mine Apex has published; both stories were originally published in Interzone.

This is the last issue of Apex Magazine under the helm of fiction editor Jason Sizemore. As Jason noted on their website, starting with the next issue Catherynne M. Valente will be charting the magazine's fictional course. Best of luck to Catherynne, and thanks to Jason for all the hard work he's put into Apex Magazine over the years.

Slow blogging ahead

Here's the problem: I have a novel to finish. Since I have a limited amount of time to devote to writing, the novel has decided to grab my neck tight and choke the living daylights out of me until it is finished.

As such, the novel informs me I can't spend any more time blogging. However, since Twitter and Facebook don't take up as much time as this blog, I'll still post items to those accounts.

So if anyone wonders in the coming months why there are so few posts on this blog, blame the novel.

Nebula Awards interview with me

Over on the Nebula Awards website, Charles Tan has published an in-depth interview with me.

So what do I babble about? Well, in addition to discussing my Nebula nominated novella "Sublimation Angels," I explore what science fiction truly is--"humanity's dream of the future"--along with the many events and technologies the genre has failed to accurately predict. I also touch on such fun subjects as how literary fiction has abdicated its role in understanding large-scale societal issues.

Many thanks to Charles for conducting the interview.

A junk shot of assorted news

A few items of note:

  • Don't forget we're now in the final days of the storySouth Million Writers Award public vote. All writers and readers are welcome to take part in the voting, which lasts until 11:59 pm Eastern time on May 31, 2010.
     
  • Pindeldyboz, one of the best literary journals of recent memory, is coming to an end. After publishing a beautiful print edition for several years, and an amazing online edition which (emphasis added) published over 1200 stories by more than 600 authors, the editors have decided to pack things in on the journal's 10th anniversary. Pindeldyboz was named the Best Online Publication in the 2003 storySouth Million Writers Award and has had works reprinted in Best American Non-Required Reading, New Stories From the South, Best American Fantasy, and many other anthologies. Thanks to Whitney Pastorek and the other Pindeldyboz editors for giving us so many great stories to read!
     
  • In case you missed my English language review of Paolo Bacigalupi's The Windup Girl, here's the same review in Romanian. Thanks to the Romanian Science Fiction & Fantasy Society for translating and reprinting the review.
     
  • Over at Suite 101, author Colin Harvey reviews the new issue of Interzone. He says my novelette "Plague Birds" is "breath-taking in its audacity ... a story to remind jaded reviewers why they fell in love with SF in the first place." Wow! Many thanks to Colin for the kind words.
     
  • Over at the Fantastic Reviews Blog, Aaron Hughes highly recommends my  "A Twenty-First Century Fairy Love Story" from Tales of the Unanticipated, issue 30. Again, many thanks!

Interzone Readers' Poll Winner

I woke up this morning to the news that my novella "SublimationAngels" (PDF download) won this year's Interzone Readers' Poll, while my story "Here We Are, Falling Through Shadows" tied for sixth. Many thanks to all the Interzone readers who enjoyed the stories and voted for them.

This marks the second straight year I've won the Interzone Readers' Poll. My story "When Thorns Are The Tips Of Trees" (PDF download) won the 2008 Interzone Readers Poll.

I should note "Sublimation Angels" was originally published in Interzone's Sept./Oct. 2009 issue and is also a finalist for this year's Nebula Award and on the long list for the British Fantasy Award.

Again, many many thanks to all the readers who have enjoyed and supported my Interzone stories. And many congrats to Eugie Foster, Chris Butler, and Rebecca J. Payne for rounding out the top four in the poll. I'm also a little shocked Eugie's story "Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast" didn't win--it was one of my favorite stories of 2009 and well-deserves the many honors it has received, including being a finalist for the Nebula and Hugo Awards.

Teaser for my upcoming story "Plague Birds"

IZ228Issue 228 of Interzone will be out in early May and features my story "Plague Birds." At right is a preview of the cover.

Interzone's editor Andy Cox was nice enough to send me the title spread for my story, and wow, it is amazing. The artwork was created by Darren Winter, who captures the essence of "Plague Birds" with his damn-beautiful art. Anyone interested in seeing the opening spread can download it in a PDF format.

Just FYI, "Plague Birds" is a far-future science fiction tale set on an earth suffering from extreme genetic manipulation. Humanity is now a hybrid mix of animal and human genes, resulting in extremely violent cultural and personal interactions. To control this violence, a subset of humanity called plague birds patrol the land, wielding the one punishment everyone fears: The most painful death imaginable.

Thanks to Andy for letting me share this teaser page. If you want to read the full story, subscribe to Interzone now.

Podcast of my story "Maps of the Bible"

Dunesteef Audio Fiction magazine has created a kick-A podcast of my story "Maps of the Bible." The story is a mashup of Southern experiences from my youth, including religion, family, ghost stories, friendship, and fire ants. Many thanks to Big and Rish for the great work, and for doing this while simultaneously dealing with the complete destruction of the hard drive at the heart of their podcast empire (which they discuss after the performance of my story). As someone with an older computer, I recoiled in horror at their descriptions of total computer failure.

Two stories on the British Fantasy Award longlist

Two of my stories have made this year's British Fantasy Award longlist. They are:

  • "Sublimation Angels" (available as a PDF download) in the Best Novella category. "Sublimation Angels" was originally published in the Sept./Oct. 2009 issue of Interzone and is also a finalist for this year's Nebula Award for Best Novella.
     
  • "Here We Are, Falling Through Shadows" in the Best Short Story category. This story was originally published in the Nov./Dec. 2009 issue of Interzone, and is scheduled to be reprinted shortly in Apex Magazine.

Thanks to everyone who enjoyed reading these stories, and to those who nominated them for this award. British Fantasy Society and FantasyCon members can vote for their top three choices in each category by going to the online voting form. If any member needs a copy of these stories, simply drop me a line.

My novella "Sublimation Angels" is a finalist for the Nebula Award!

That headline says it all. But in case you want more details, here they are:

  • "Sublimation Angels" is one of six finalists for the Nebula Award for Best Novella.
     
  • The novella was originally published in the Sept./Oct. 2009 issue of the British magazine Interzone, and is eligible for the Nebulas due to also being published in their electronic e-book edition.
     
  • To read the novella, you can download a PDF copy from my website. You can also download the novella as an RTF file, which is perfect for e-book readers and Kindles. However, please note that due to size limitations the RTF file lacks the art created by Paul Drummond.
     
  • To see all the Nebula finalists, please jump over to the SFWA's offical release.

I'll have more to say about the other Nebula finalists in the next day or so (although I agree with John Scalzi that this is one of the best Nebula ballots in years, and proof that the new nomination system works). Until then, I want to share why being a finalist means so much to me.

As I child, my entry into science fiction was through my grandfather, who read and collected SF magazines and books. The small office in his home was covered in homemade bookshelves, each lined with enough science fiction to excite any young kid. One of my best childhood memories is sitting in his office during a hot Alabama summer and reading Fritz Leiber's classic story "A Pail of Air." I read the story in one of my grandfather's worn magazines, and the idea of the main character surviving on a frozen earth resonated with me, especially since I'd only seen a dusting of snow once or twice in my life.

When I recently reread Leiber's "A Pail of Air," all those memories came spilling back. So with "Sublimation Angels" I decided to create my own frozen world where people struggle to survive and understand life.

My grandfather died when I was 14, well before he could read any of my SF stories. Still, I think he would have enjoyed reading my novella and seeing it become a Nebula finalist. After all, his bookshelves were full of Nebula anthologies and award-winning stories, each of which he read countless times.

Before I forget--and I hope this doesn't sound like one of those stupid Oscar thank you speeches--I want to thank Andy Cox and the Interzone editors for publishing the novella, everyone who read the novella, everyone who nominated it for the final ballot, and the many people like Rachel Swirsky, Colin Harvey, Gareth D Jones, Sam Tomaino, and John DeNardo who gave the novella glowing public reviews and praise. There are also many others who have supported me and my writing, and it's impossible to thank them all. But thank you anyway.

Crap. Sounds like I fell straight into the cliched land of Oscar thank you speeches. But my words are still sincerely meant.