My novelette “May Our Voices Sing Like Blood from Open Wounds" (with praise for Edmund Schubert)

Artwork for "May Our Voices Sing Like Blood from Open Wounds" created by Dean Spencer.

My first-ever vampire novelette, “May Our Voices Sing Like Blood from Open Wounds," has been published as the cover story for InterGalactic Medicine Show. The amazing artwork was created by Dean Spencer.

Robert L Turner III, reviewing the issue at Tangent Online, says "The story is well paced and extremely well written, hinting at deeper meanings while only occasionally becoming explicit. While not perfect, this is the best short story I have read in some time and deserves careful reading and perhaps award nominations."

Go check out the story.

Not only is this the 50th issue of IGMS, it's also Edmund Schubert's final issue as editor. I'll miss working with Edmund, who is a class act and one of those unsung heroes who make the SF/F genre what it is.

Last year Edmund was nominated for the Hugo Award for Best Editor, Short Form. While Edmund had long been on my ballot for a Hugo nomination, in 2015 he was also on the Rabid Puppies' slate, a fact which caused him a good bit of pain. He eventually withdrew from consideration. You can read his statement on why he did this — which proved yet again how classy Edmund is — here.

Prior to Edmund withdrawing I wrote the following, which I feel still really, really applies:

As editor of Intergalactic Medicine Show, Edmund has been extremely supportive of new writers no matter their politics or backgrounds or beliefs. The list of writers who've earned one of their early publishing credits through Edmund reads like a "who's who" of the new generation of SF/F authors, and includes Tony Pi, Saladin Ahmed, Aliette de Bodard, Nancy Fulda, Eric James Stone, Eugie Foster, and many more.

And yes, I'm biased about Edmund because he accepted my first-ever professionally published story. He also published my first short story collection Never Never Stories while working as the editor of Spotlight Publishing. And he commissioned this amazing artwork from fellow Hugo finalist Julie Dillon for my story "The Never Never Wizard of Apalachicola."

But despite IGMS being one of our genre's few professional-level magazines, Edmund has never appeared on the Hugo Award Best Editor ballot. Again, I'm not naive — I know it's because of two reasons. First, Edmund has never been among the trendy insiders in our genre. And it's also likely some people never considered him for the award because the full title of his magazine is Orson Scott Card's Intergalactic Medicine Show. That OSC name trips up people and they hold it against Edmund.

Which is a true shame. After all, OSC doesn't run the editorial side of the magazine. He merely supports the magazine. I am able to separate OSC's political views, which I disagree with, from his support of new writers. This is similar to how most people in our genre support the Writers of the Future contests and programs even though they were founded by L. Ron Hubbard and receive funding from Scientology-related ventures.

Edmund has a new SF short story collection out, so go read the book to learn more about his fiction. I wish Edmund the best in his life and his writing and all he takes part in during the years to come.

I also wish our genre would remember the common dreams and goals which bound us together in the first place, no matter our differences.

We should never forget to notice the good people all around us.

People like Edmund Schubert.

Chinese edition of The Ships Like Clouds, Risen By Their Rain

The Chinese edition of The Ships Like Clouds, Risen By Their Rain is now available as a stand-alone ebook on Douban Read.

So far I've been really impressed with Douban Read, which translates and publishes e-editions of genre works by a number of authors including Ken Liu and Aliette de Bodard.

Douban Read takes an innovative approach to translating foreign works. They have a "foreign works in translation page" where they allow different translators to post sample translations of upcoming books. The editors then review these translations and pick the best translator to go with the story. Among the books they're currently translating are The Waiting Stars by Aliette de Bodard, Help Me Follow My Sister into the Land of the Dead by Carmen Maria Machado, The Elephant and Macaw Banner by Christopher Kastensmidt, and my novella Sublimation Angels.

To purchase and read the Chinese edition of The Ships Like Clouds, Risen By Their Rain, go here.

By the gods it's another Jason Sanford ego post

Lots of ego notes in this post, so skip if you need.

"Duller's Peace" in Asimov's Science Fiction

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My short story "Duller's Peace" is now available in the September 2015 issue of Asimov's Science Fiction. The print edition is available in stores while the digital edition can be purchased for the Amazon Kindle and many other ebook formats.

I think this story is going to shock many readers. Which, considering the topic — the monitoring of both dissent and people's lives — is something everyone should be shocked by.

The story is already receiving some nice praise. K. Tempest Bradford calls the story "Highly Recommended" on io9, adding:

"An intense distopian world in which a government achieves control through nanotechnology that reaches into everything, including your thoughts. The concept is creepy, mostly because it’s not far fetched. I can see people balking at the ending, I say it’s perfect."

Author Suzanne Palmer says

Thanks to Tempest and Suzanne for the kind words about the story.

 

 

My Back to the ConFusion schedule

I'm attending the Back to the Confusion convention in Detroit from January 16 to 18. ConFusion is a great convention, melding the literary focus of a smaller con with the fun and perks of a larger convention. This year's guest of honor is Karen Lord. Other attending authors include Ted Chiang, Joe Abercrombie, and Steven Erikson. If that line-up doesn't make you want to embrace the ConFusion, I don't know what will.

Below is my convention schedule. I look forward to seeing everyone there.

Friday 5pm: The Next Big Thing in YA
First, it was vampires. Then, it was dystopian future. What will be the next big topic to flood the YA market?

Friday 9pm: Where Batman Went Wrong
Many popular comic book characters have been with us for 50 or more years. Some have been reinvented multiple times to keep up with fads and changes in society. What makeovers have worked, and which have been deservedly short-lived. What characters are due for make-overs?

Saturday 12pm: Characters we Love to Hate (TEEN FUSION)
What characters have you read or watched that you really don't like but still want to know more about them?

Saturday 4pm: Mass Autograph Session

Sunday 11am: Science or Science Fiction?

Science fiction novels continue to impress with amazing technological advances in so many areas. What's more impressive, though? That some of them are reality! Come talk about some of the things you see on the news today that you first read about years ago in a book.

Sunday 1pm: Post-Binary SF
Non-binary gender exists—it is not new, it is not confined to people in one cultural or linguistic group. Non-binary pronouns are in use by real people. The future, whether it incorporates non-binary gender(s) or goes beyond the binary—and it will do one, or both, of these things, in reflection of the reality of non-binary gender—will see shifts in language. It is absurd for science fiction not to reflect this. It is especially absurd in a genre used to language invented for the story. How can we improve on this?

Sunday 2pm: Reading with Leah Bobet