If short stories are a mistake, I plan to keep mistaking away

It appears that admitting to mistakes in one's writing career resonates with people. Not only is that post my site's most-read item of the year but it proved equally popular when SFWA reprinted it.

But I think I made a new mistake in my post by implying I regret my focus on short fiction.

It wasn't my intention to say that writing short fiction is a mistake. I love short stories. I will always read and write in the short story genre. In fact, I find short stories to be a perfect match for my aspirations and dreams as a writer.

For example, at this moment I have exactly 20 short stories in various stages of completion (along with a young adult novel I'm working on). As a writer I tend to jump back and forth between different stories — when I hit a snag with a story I jump over to the next story. By the time I return to the original tale I've usually cleared my head of enough writer's block that I can keep going.

But even beyond short stories being a good match for my writing style, I also believe the genre is a perfect match for today's hyper-fragmented and disjointed world. The days when a novel could be at the cutting edge of literature is probably passing, but short stories — damn, that's where the action is.

The problem, of course, is that short stories have a much smaller readership than novel-length fiction. I'm optimistic that this will eventually change, especially since current trends in e-publishing are so supportive of short fiction. But until things do change, my advice to new authors is to write short stories if you love the genre. That said, don't expect short stories to carry you to the bestseller lists or (almost never) to literary stardom. For that you'll need to branch out into novel writing. 

When I said focusing on short stories was a writing-career mistake, I was trying to say that if I'd wanted to be a bestselling author, then yes, I didn't pick the easiest path to achieving that goal. That's what I meant by a writing career mistake.

But here's a secret — making the bestseller list is not my writing goal. Instead, I want to write the best stories possible. I want to create stories which readers enjoy and which will live on after I'm gone. I want to write stories which tweak the world in glorious yet subtle ways.

Last week an editor I deeply respect read my post and wrote to me saying short stories are never a writing-career mistake. And that's absolutely true. I shouldn't have been so cavalier with that statement. I shouldn't have even listed that as one of my mistakes.

I love short stories. I'll always write them. And short stories have taken me to where I am today as a writer.

If that's a mistake, I plan to keep on mistaking until I die.

I've made every mistake an author can make in their writing career

Len Peralta's amazing adaptation of a certain superstar raccoon. The path we take to our creativity is totally unlike the path anyone else will ever travel. (Note: Be sure to check out and buy more of Len's artwork.)

Len Peralta's amazing adaptation of a certain superstar raccoon. The path we take to our creativity is totally unlike the path anyone else will ever travel. (Note: Be sure to check out and buy more of Len's artwork.)

This has been a tough writing year for me. I finished my first novel only to learn that at this point in my writing career it's going to be a hard sell. I've struggled with short fiction, publishing only two stories this year. I've even wondered why I'm writing stories in the first place (which probably ties back with the issues I've had with the novel and short fiction).

All of this caused me to step back and reflect on my writing career up to this point. And I've realized I've made just about every mistake an author can make, career-wise.

For example:

  • I grew up loving science fiction and fantasy stories, but listened to teachers who told me I shouldn't waste my time writing "that kind" of fiction. It took me years to dig my way out of that writing mistake.
  • I focused on short fiction when the market and readership for short fiction is nearly non-existent.
  • I avoided going to literary and genre conventions for many years because ... hell, I'm not even sure why. But I avoided them for a long time. After all, why would an author ever want to meet fellow authors and editors and publishers and readers? (Note: This is sarcasm. Career-mistake sarcasm, but sarcasm all the same.)
  • I spent far too many years writing the types of stories others expected me to write, instead of the stories I wanted to write.
  • I assumed I was such a great writer that I didn't have to plot out my novel-length fiction. (Note to new authors: If you try this yourself, expect pain. Lots and lots of pain, along with a novel you'll likely struggle to publish.)

And those are merely a sample of the mistakes I've made. The list could easily go on and on. If you had to describe how to achieve success as an author, I'd pretty much be an example of what not to do.

Of course, the flip side to this is that the path I've taken, while perhaps not the best for furthering my writing career, has given me a unique voice and approach to storytelling. My love of short fiction has enabled me to experiment with stories and develop my voice in ways novel-length fiction wouldn't have tolerated. I've also been able to both publish my stories and reach new readers thanks to some amazing editors and the support of magazines like Interzone and Asimov's.

And most importantly, every mistake has taught me something.

At a recent convention — yes, I now go to conventions — I met artist Len Peralta and purchased several of his prints. Above is one of Len's prints which really stuck with me because it so perfectly highlights that great line from the blockbuster film Guardians of the Galaxy: “There ain't no thing like me, 'cept me!”

I don't know if I'll ever achieve all I want to achieve with my fiction writing, but I do know the creative path I've traveled has resulted in a writer who produces stories no one else could create. I also know I'll never stop reaching for my writing dreams.

Career wise, I've made just about every mistake an author could make. But writing wise, I wouldn't change a thing. Because my mistakes are part of what have taken me this far and helped me become who I am as a writer.

"Sublimation Angels" now available in Polish

The Oct. 2014 issue of Nowa Fantastyka, containing the translation of my novella "Sublimation Angels."

The Oct. 2014 issue of Nowa Fantastyka, containing the translation of my novella "Sublimation Angels."

The October 2014 issue of the Polish SF magazine Nowa Fantastyka is now available and includes a translation of my novella "Sublimation Angels," which was a Nebula Award finalist a few years ago. 

Nowa Fantastyka is a beautiful 8.5 x 11 inch magazine containing 80 pages, with half its content printed on full-color glossy stock and the rest on black and white newsprint. For a glimpse of the magazine check out this PDF download, which includes the first page of my translated novella.

"Sublimation Angels" was originally published in the British magazine Interzone.

This is the third of my stories to be translated and published by Nowa Fantastyka. The other two are "Heaven's Touch" and "Monday's Monk," both originally published in Asimov's and named to the annual Locus Recommended Reading List.

My GenCon Writers Symposium schedule

Going to this year's GenCon? Then swing by the GenCon Writer's Symposium, which is held right upstairs from the main exhibition hall. Your GenCon badge gets you in for free to the Symposium's more than 140 hours of programming by more than 50 authors, including myself.

My schedule of events includes:

Friday, Aug. 15 at 2 pm
Writer's Craft track: Writing Amazing Short Stories 
with John Helfers, Toni L. P. Kelner, Jim Lowder, and Catherine Shaffer.
Learn what makes a great short story great, what types of stories work in short form, and tips for crafting amazing short stories of your own

Friday, Aug. 15 at 5 pm
Business of Writing track: Selling Your Stories
with Elizabeth Vaughan, Carrie Harris, Scott Westerfeld, and Maurice Broaddus.
Learn how to sell a finished story, get advice on choosing a market based on the length or genre of your story, and learn to improve the chance that the person you send your story to read it!

Saturday, Aug. 16 at 1 pm
Publishing track: Traditional Publishing
with John Helfers, Erik Scott de Bie, Saladin Ahmed, and Jim Minz.
Find out what it takes to get published by the big publishing houses, learn the advantages of going this route, and discover the challenges 
inherent in this path to publication

Saturday, Aug. 16 at 6 pm
Writer's Craft track: Short Fiction Plotting
with Don Bingle, Catherine Shaffer, Dylan Birtolo, and Christopher Rowe.
Learn to shape a plot when you have less than 10,000 words to tell the entire tale! It takes a special set of skills to forge a plot that works in 
short fiction, and we'll tell you how to do it

Sunday, Aug. 17 from 11 am to 1 pm
Read and critique session
with Elizabeth Vaughan, David B. Coe, and Maxwell Alexander Drake.
This session gives attendees the opportunity to read something they've written and to hear instant feedback from published authors. If you stop by this session and share a little of your fiction I'll not only give feedback but also suggestions on where to submit the story.

If you see me at the Symposium, be sure to say hello. I love talking with people.

 

My story "Paprika" on Escape Pod

Artwork for Paprika by Ben Baldwin.

Artwork for Paprika by Ben Baldwin.

My SF novelette "Paprika," published late last year in the British magazine Interzone, has now been podcast on Escape Pod.

People can either read or listen to the story. 

This is my first appearance in Escape Pod. Many thanks to editor Norm Sherman for accepting the story.

The story is set in the far future and involves an artificial construct designed to preserve copies of human lives. Here's my post-script to the story as it appeared in Interzone (who also comissioned the amazing artwork at right by Ben Baldwin).

"Paprika" was inspired by the life of acclaimed anime director Satoshi Kon, who passed away in 2010 at the age of 46. In addition to animating the award-winning film which lent this story its title, Kon also directed several other influential anime films including Millennium Actress and Tokyo Godfathers. His final film, Dreaming Machine, was incomplete at the time of his death. His fellow animators have been attempting to complete the film based on his script and designs, but funding remains an issue and no release date has been announced.